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Warthog

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June 16, 2003

Beyond the bluster, Ozzy's a nice guy

By KERRY DIOTTE -- Edmonton Sun

UP CLOSE WITH OZZY: A pair of local salon employees got up close and personal with Ozzy Osbourne.

And one of the two women says Ozzy's not really like the ill-tempered, foul-mouthed man he comes across as on his reality TV show The Osbournes.

Nor did he seem like the scary stage performer who fronted the band Black Sabbath and had a reputation for biting off the heads of bats.

Hair stylists Sheri Tkachuk and Dawn Abdullah were asked to give Ozzy some red, cornrow hair extensions prior to his sold-out concert recently at Skyreach Centre.

The women, who work at Avanti Hair & Sanctuary Salon & Spa, went to the rocker's room to do the hair extension work in exchange for backstage passes to the show.

Later they hung around backstage with the heavy metal legend both before and after the concert.

"He was really, really nice," said Dawn.

"He talked about how he works out regularly, runs and tries to eat well."

Dawn said she saw the Wizard of Oz snack on healthy stuff such as blueberries, cottage cheese, a grilled chicken breast and brown rice.

He told the women he hadn't had a cigarette in two years and was drug-free for the last three months.

Dawn says Ozzy gets edgy prior to any concert. They were backstage before his Edmonton show and "he said, 'I'm really nervous.' "

To overcome that, he meditated, she said.

After the show, she and Sheri hung out with Ozzy for two hours and the strongest thing he drank was Starbucks coffee and lots of water.

But what about his famous foul-mouthed reputation?

"Well, he did swear a little bit around us, but when he was getting his hair extensions he had some music on. (He was partial to the Stones and the Beatles).

"He was polite enough to ask us, 'Is the music too loud? Should I turn it down?' "

See, ya just never know what someone's really like unless you spend some quality time with 'em!
 

Warthog

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STRYPER To Kick Off Reunion Tour In Early October - June 16, 2003

Legendary Christian rock band STRYPER have announced plans to embark on their first-ever reunion tour this fall to celebrate the quartet's 20th anniversary.

The band's first nationwide performance junket in more than 12 years is slated to kick off in the Northeast in early October. The tour will run across the United States, playing approximately 30 concerts. While markets and venues are still being finalized, tour dates will be announced in early July via the Internet on both www.stryper.com and www.michaelsweet.com.

Originally formed in 1983 in Orange County, California, by brothers Michael and Robert Sweet and guitarist Oz Fox (joined shortly thereafter by bassist Tim Gaines), STRYPER have sold more than seven million records worldwide over its career and has garnered critical and fan acclaim worldwide. The band earned their stripes on the Los Angeles metal club circuit, and in 1984 signed with Enigma Records, releasing their debut mini-album, "The Yellow And Black Attack", then going on to record six more records over nearly a decade.

Lead vocalist/guitarist Michael Sweet comments, "We were four ordinary guys who played ordinary music with ordinary skills, yet what we did with the band from 1983 to 1991 was nothing short of extraordinary." When STRYPER formed, few could have predicted the band would go on to pack arenas, have #1 MTV requests with the Top 40 hits "Honestly" and "Calling on You", and sell millions of albums around the world.

Fan interest has been constant and relentless. Between online chat-groups and classic rock magazines, word of STRYPER's reunion is building a tremendous buzz. Guitarist Oz Fox said it best "I am thrilled to see continued interest in STRYPER. I am amazed at the e-mails I've received through the years and how many lives the band has touched."

The band's moniker, STRYPER, is an acrostic that means Salvation Through Redemption Yielding Peace, Encouragement and Righteousness. The Isaiah 53:5 reference under the STRYPER logo is a Bible verse that states, "…by His stripes we are healed." The band's first full-length release, "Soldiers Under Command", sold more than 500,000 units worldwide in the 1980s and was a mainstay on Billboard's Top 200 album chart for over 40 weeks. In addition to the hard-rocking tunes that STRYPER's core audience has come to expect, the ballad "Honestly", from the platinum-selling 1986 release "To Hell With The Devil", hit the Top 40 charts. The video for "Honestly" rapidly became the number one most-requested video on MTV. The year 1988 saw the near-platinum release of "In God We Trust", as well as renewed success on MTV, which was bombarded by thousands of phone requests for the track "Always There For You".

Coming off a successful tour in 1989, the band released "Against The Law", which shipped gold in the fall of 1990.

In 1991, Enigma Records went bankrupt, and STRYPER was left without a record company. This was short-lived however, as Hollywood Records quickly picked up the band. In the summer of 1991, the quartet released "Can't Stop The Rock", a "best of" album with two new tracks.

In January of 1992, Michael Sweet left the band to pursue a solo career. Although Robert Sweet, Oz Fox and Tim Gaines officially continued as a three-piece outfit for another year, there were no further studio recordings for STRYPER once Michael left the band.

Michael Sweet was the first band member to re-appear on the music scene, when he secured a solo deal with Christian label Benson Records (Benson distributed STRYPER to Christian retail stores in the 1980s). This union produced two albums: the self-titled set "Michael Sweet" and "Real". In 1998, Sweet released a full-length independent demo titled "Truth". This generated label interest, and he was soon signed to Restless Records. The remastered and updated version of "Truth" was released in early 2001.

After STRYPER, Tim Gaines, Oz Fox, and Robert Sweet have all continued in the music industry. Each member has participated in numerous musical projects over the past decade.

Michael Sweet continues to write and record music and plans to release two solo projects next year. One will be a "rock" record showcasing newly written and recorded songs, while the other will be a hymns project. He also is busy producing new acts with co-producing partner Kenny Lewis. Sweet and Lewis co-produced two new STRYPER songs released March 25, 2003, on "Seven, The Best of Stryper", through Hollywood Records, distributed to Christian outlets by Forefront Records.

While there is no officially scheduled release for another STRYPER album, there are talks and a strong possibility for a STRYPER live album and/or DVD recorded throughout the upcoming tour.

Stay tuned for the announcement of the STRYPER Reunion Tour dates early next month.
 

Warthog

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LEGEND To Hit The Road, Begin Work On New Album - June 16, 2003

LEGEND, the classic NWOBHM (New Wave Of British Heavy Metal) band from Jersey, U.K., have reformed and will start rehearsals in July with the prospect of doing some shows before the end of the year. Work on new material will begin in late 2003 with a view toward releasing a new album 2004.

The current LEGEND lineup is as follows:

Mike Lezala - vocals
Pete Haworth - guitar
Sean Gregory - guitar
Peter Heath - drums
Eggy Aubert - bass

LEGEND's live set will contain of a lot of old material (especially as they are back to a twin guitar lineup) as well as songs from the new album, "Still Screaming" which was released in April of this year. Both "Still Screaming" and the group's 2002 release, "Anthology", can be ordered from Monster Records (www.monsterrecords.com) or from the group's official web site.

Speaking about the initial breakup of the band, Pete said, "Mike's voice is so unique that it defined the LEGEND sound, plus the direction of the band had seemed to get lost in the search for commercial success. The new songs [which turned up on last year's 'Anthology' release], although good musically, had lost the edge of our earlier material. You could tell our time was up."
 

Warthog

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Looking Ahead in 'Anger'
Its Napster Battles in the Past, Metallica Works Up a New Rage
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By Chris Hopfensperger
Washington Post Staff Writer
Sunday, June 15, 2003; Page N06


Metallica couldn't have done much more to alienate fans in the last 10 years.

Starting out by stunning legions of old headbangers, the boys in the band cut their hair and chased the Seattle sound with a pair of uninspired albums. Confusing all the straight-ahead young rockers, they sat down with an orchestra for a two-disc live set that only seemed to soften their edge. And in a move that turned off music lovers of all ages, drummer Lars Ulrich became the leading, greedy face of the anti-Napster music industry.

Add bassist Jason Newsted's increasingly acrimonious departure to the slow slide into irrelevance, and it's easy to understand the rage that suffuses "St. Anger," the band's first studio album since 1997 and its best in more than a decade.

The disc rips open with "Frantic," a brutal back-and-forth battle with the scorching guitars of James Hetfield and Kirk Hammett punctuated by Ulrich's heart-attack drums. The song's energy pounds you square in the chest, offering just a hint of the full fury to come.

"St. Anger," the radio-unfriendly first single, quickly builds on the emotion. Behind a growing tide of sound, the track ebbs and flows, slowing down just enough to make way for Hetfield's low growl before racing off with a breathless drum roll. Hitting you like a sudden burst of adrenaline, the song gives a clenched-fist credibility to such otherwise-lame lines as "I'm madly in anger with you."

Most troubling for Metallica, though, may be the generation gap it must bridge to fans who actually have time for this much animosity. Convincing today's high-tech teenagers to lay down cold cash for a band with roots in the cassette age won't be easy -- especially after Ulrich's escapades on Capitol Hill. Last week, when the album started popping up around the Internet, the label rushed it into stores several days early to squelch the "don't-buy-it, burn-it" backlash.

There are also musical missteps. Like the ill-fated alt-rock "Load" and "Reload," "St. Anger" falters when it ventures into other bands' arenas. Take the Korn-y "Some Kind of Monster": Eight minutes of rolling monotony, in Metallica's hands it is less song than strategically placed filler padding out the hour-and-a-quarter running time.

But as "All Within My Hands" closes the album, it slowly cauterizes whatever painful wound "St. Anger" flowed from. The song shakes with restrained rage as Hetfield -- fresh from his own real-world rehab stint -- screams of crushing, squeezing, choking, trapping and killing everything close to him.

And there, at the end of "St. Anger," it finally becomes clear what's at work here.

Rather than try to regain the breakout drama of ". . . And Justice for All" or the commercial sensation of 1991's self-titled "black album," Metallica hopes to make a fresh start by recapturing the energy of "Master of Puppets," the band's classic third album. They come frighteningly close -- overshooting instead, to 1983.

"St. Anger" is a more polished version of the band's flawed first discs, stripped of the high-flying guitar solos, dotted with moments of raging glory and full of the unbridled confusion of teed-off teenagers who have discovered girls but not yet gotten to know them. Unfortunately for Metallica, most young listeners think of it as the band that rocked with the San Francisco Symphony and railed against file sharing. They're the ones who have to be won over, to be convinced that this is real rage and not just rough-hewn rock.

We'll see if they buy it.

(Metallica will perform July 18 at FedEx Field. To hear a free Sound Bite from this album, call Post-Haste at 202-334-9000 and press 8172.)
 

Warthog

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ICED EARTH Guitarist NOT Confirmed! [Hot Flashes - 03.06.16 12:40:16]

Contrary to published reports, Ralph Santolla (MONARCH, MILLENIUM, EYEWITNESS) has NOT officially joined ICED EARTH as second guitarist. He WILL help out with recording of the forthcoming Glorious Burden album, but any decision to his full-time status have YET to be determined.
 

Warthog

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ANNIHILATOR news...

No Mo' Joe?!
Posted on 05-21-2003

Here it is the latest news: Joes out Daves in. Here are the details from Mr. Waters himself.

"Joe and I had a difference of opinion on an issue (not of a musical nature) that just couldn't be resolved mutually. We will...

miss Joe and we did some great songs/cd's together but the band, mgmt., label and I were quite aware, and in agreement, that this change had to happen.

New guy is Dave Padden from Vancouver. Killer voice; basically a guy of extremes; super clean voice and super raunchy/dirty voice. Alot of attitude. What til ya see him live this summer! An added bonus is that he brings the average age of the band DOWN! hehe! I think he is 26!

New cd will kill.

Hey; weren't you guys and gals expecting a change soon ? ? ? It seems to be in the blood."
 

Warthog

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DECEASED news...

June 6, 2003
Punk Covers CD on Malt Soda Records Top
Malt Soda records liked our contribution to the DRI tribute, so they asked us to do a whole CD of punk covers. We liked the idea and went for it. Here's what we chose...

45 Grave - Violent World
Agnostic Front - Eliminator
Bad Brains - Right Brigade
Cro Mags - World Peace
Dead Kennedy's - California Uber Alles
English Dogs - Ultimate Sacrifice
Excel - Social Security
MDC - Corporate Death Burger
NOTA - Ultra Violent
Plasmatics - Nothing
The Ramones - I'm Not Jesus
Raw Power - State's Oppression
Sex Pistols - Bodies
Sheer Terror - Here To Stay
Verbal Abuse - V.A. Rocks your liver

It's going to be titled "Rotten To The Core" and will be out at the end of summer. Hopefully punk will still be all cool and trendy so we can get, you know, rich and famous and stuff.
 

Warthog

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Thursday, June 12, 2003
Copyright © Las Vegas Mercury

Music: Shine on, crazy Diamond Dave
David Lee Roth on spandex, drugs and redemption


By Newt Briggs


In his prime, David Lee Roth was the undisputed king of hard rock--a veritable spandex demagogue who reigned supreme over the mullet-headed masses with an arsenal of high kicks and hair spray. Yet for all the attention garnered by his skintight jumpsuits and wild stage antics, Roth also managed to piss off almost everyone he ever worked with, including Van Halen founder and band namesake Eddie Van Halen. With the release of 1984--arguably Van Halen's finest work--the two were already on the outs (a situation exacerbated by the release of Roth's solo EP Crazy from the Heat), and Roth soon found himself without a band to front.

Rather than fade into the annals of rock 'n' roll obscurity, though, Roth swathed himself in the chrysalis of reinvention and emerged as Diamond Dave--a dim-witted, libido-driven surfer dude bent on recapturing his lost glory. Just as Van Halen was installing Sammy Hagar in his stead, Diamond Dave was scoring hits with gaudy, overblown covers of the Beach Boys' "California Girls" and Vegas lounge crooner Louis Prima's "Just a Gigolo/I Ain't Got Nobody" medley. But the novelty of this new persona proved fleeting, and his career fell into decline as '90s audiences opted increasingly for substance over style. And despite repeated rumors of a Van Halen reunion--a possibility virtually squashed when Roth and Eddie Van Halen tussled backstage at the 1996 MTV Music Awards--Roth gradually plunged down the path to "Behind the Music" infamy, bottoming out with a 1996 bust for buying a nickel bag at a public park in New York (adding insult to injury, he was reportedly in his pajamas at the time).

But 2002 saw Roth joined with an unlikely partner, Hagar himself, as the oft-feuding pair toured the country co-headlining the "Sans Halen" tour. Notwithstanding a near-constant war of words between the stars, the experience put a new shine on Diamond Dave, and he's now released his first album in five years, a self-titled effort that features covers of the Doors' "Soul Kitchen," Jimi Hendrix's "If 6 Was 9" and Steve Miller's "Shoo Bop." He's also put the "Diamond Dave Happy Hour Show" back on the road, and despite a frantic touring schedule, the 47-year-old recently found 15 minutes for the Mercury to bask in his radiance.

Mercury: Was it a huge shock to you when spandex plummeted out of fashion in the late '80s?

David Lee Roth: Nothing's plummeted out of fashion, man. It just takes an extremely masculine man to look sexy in a pair of pink bicycle shorts.

M: Indeed it does. So would you say that your persona with Van Halen was a spontaneous expression of heavy metal hedonism or a shameless manipulation of the ignorant hordes?

DLR: I'm an action figure. It goes well beyond just being a singer. Do you know how many singers like me it takes to put in a light bulb? Just one. We hold up the bulb and wait for the world to revolve around us.

M: Were you at any time bigger than Jesus?

DLR: I think I had some bigger hit songs than Jesus. In terms of actual T-shirt sales and name recognition, it might have been a toss-up. Still, "Running with the Devil" has probably been memorized more effectively than...

M: The Lord's Prayer?

DLR: There's so many damn syllables in that one, man.

M: Is what happened in Rhode Island with Great White proof that God is punishing heavy metal and its fans?

DLR: That's a tough one. I think he's probably punishing Great White. The rest of those poor people were just collateral damage. To be honest, sometimes when I see these bands I feel like I'm driving past a car wreck, but I'm simply relieved that no one was killed.

M: Did you know that when you got busted buying dope in Washington Square Park, it was named the 35th greatest rock 'n' roll meltdown of all time by Rolling Stone?

DLR: I wouldn't even qualify it as dope. This was cheap, bunk, Jamaican gage that wouldn't even have filled a folded-up postage stamp. They had this little Puerto Rican cop holding it up on CNN, and it was like a Monty Python skit. My only screw-up was somebody told me to cover my head from the press, so I covered up. It was like something out of Bonfire of the Vanities--McCoy getting steamrollered by the system.

M: You were actually ranked two spots ahead of Jerry Lee Lewis' marriage to his 13-year-old cousin.

DLR: A vastly superior scandal, if you ask me.

M: Why were you so bad at buying drugs, anyway? And didn't you have a more reliable pipeline than the shady Jamaican slinging nickel bags at the park?

M: Hey, I'm a man of the people. I'm just trying to keep it real, y'all.

M: Besides, don't you think Van Halen III, featuring Extreme lead singer Gary Cherone, was a much more shameful rock debacle than any unsuccessful drug deal--no matter how bungled?

DLR: I think so. How were they ever going to replace Diamond Dave? Think about it like this: The L.A. Philharmonic is a Tchaikovsky tribute band. There's not an original member left in the rhythm section. But really skilled and disciplined professionals can not only duplicate the music, they can take it past where he wrote it. What you'll never duplicate is the voice and the personality that drives it. They say that the blues guitar just don't sound right until it's been in the pawn shop at least once. Somebody would have to put some serious stamps in their spiritual passport to sound like me, son.

M: When was the last time you played Vegas?

DLR: It might have been about three years ago or so. It's going to be a spectacular show. We play all the songs--solo as well as the Van Halen stuff. And it's not just a simple recitation. It's truly mind-roasting.

M: Cool. Let me ask you, is it better to be a has-been or a never-will-be?

DLR: Well, I can only reflect on what I've read in regards to either. [Laughter]